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im free from yakuza kiwami 2. fuck the writing in this one. this was a complete mess of pulling from the most popular generic east asian drama tropes at the time of 2006 and having it be handled by a super inexperienced writer at the helm.
i went from having no expectations, got somewhat surprised, only to end up downing alcohol and laughing hysterically before the credits rolled. so that should set the mood for how i feel about this one. thought vomit under the cut, a lot of info dump about culture incoming
yakuza kiwami 2 is pure heterosexual east asian romance bullshit.
im gonna just. describe as best as i can what i know and remember from the general media coming out from the 90s to the 2010s in around this part of the world before i just start explaining why i think this story is a mess.
so. 2 parts i swear is responsible for this rubbish.
1) East Asian Beauty Standard
the general consensus for a beautiful feminine woman AT THE TIME in this sphere is the following
be willowy thin (fat = lazy and ugly)
have black hair that ISNT short (dyed = too much individuality, too much WESTERN INDIVIDUALISM, gasp how dare!)
fair skinned (bc dark = she works in the fields and is from a lower class)
young. if you heard of the term "Christmas Cake" in japan context, yeah. (ie women over age of 25 are undesirable)
be educated and refined, bc that indicates class and femininity (failing this means shes vulgar and gasp like a barbarian)
be submissive to her male peers in the sense that her authority cannot override his at least in public (for the sake of his face)
dresses feminine and not like a man (trousers and jeans are man-ish. traditional clothing, skirts and dresses are preferred. the further back the stronger this sentiment is.)
incidentally, theres a lot of classism tied to this EABS due to sinocentric culture influences. it has to do with the chinese court system and how korea and japan copied it and a lot of the culture wholesale but. anyway. thats like over 1000 years of history in there thats not really worth detouring to rn.
and also, the worth of a man is sometimes (not always) upheld by how classy and feminine this wife of his is. as of 2024 though, this line of thought is still around in the more conservative pockets. also, the education might not matter as much these days as how deep her and her parents' pockets and wealth are.
moving on.
2) media tropes
so. off the top of my head.
if you wanted a popular romance drama in this time period, the popular offerings no matter where you looked tended to offer the same flavors of tropes.
the woman always has dark hair, is fair skinned, thin and younger than her male love interest. ive never seen this broken or subverted in my time absorbing via osmosis the dramas playing on local tv growing up in the early 2000s.
everything else about her can be subverted though. sometimes she can wear fancy pants or have short hair to indicate her strong individualism. BUT, her personality no matter how strong it begins, no matter how her intro begins will 99% of the time encounter an effect where catching feelings turns her into a meek loyal woman to her love interest.
bc she cant override his authority in this culture context.
at worst, she becomes highly irrational and even hysterical in the dramas when bad things happen. this includes things like love triangle, or a fallout of family business, drama, plot or whatever. she would cry and sometimes even die.
see: sawamura yumi. sayama kaoru.
meanwhile, the male love interest can be anything. ive seen middle aged guys to young good looking upcoming actors playing the lead, with looks varying from haggardly okay to young and handsome. it. really depends on the genre.
depending on what specific country it came from, the drama would have the male either grow, become manlier (by learning honor ig), become stupid in the name of love, but he rarely if ever actually dies. the woman effectively becomes yoshi for mario to lauch off on when they're crossing a chasm
the romance is forced. a lot of the BIG LOVE SPARK ie kissing happens in tense moments bc it builds drama, but in reality comes too fucking close to sexual assault (some of the old jackie chan movies does this iirc for slapstick even)
see: sayama getting kissed right after handling her biological father's ashes less than 24 hours ago and admitting to kiryu that shes scared. this scene right fucking here.
bc in general, the scriptwriters for popular dramas tended to be guys themselves and tended to write more human dudes. and the women in the stories are reflective of the ideal societal expectation at the time: being a Refined Housewife.
so her character development is often headed in the direction of marriage and being a stay at home mom.
if it sounds a little like tradwife bullshit, it is.
Refined Housewife
(i have massive negative thoughts about this which i KNOW for a fact is a thing bc a lot of these societal culture femininity was impressed on me as a kid in a world where it was already getting increasingly impossible to have 1 spouse be a SAHP. and also i hated the whole thing about giving face to the patriarch of the house when i personally saw so much ego dick measuring from my uncles. anyway understand that this is both a bias an a lived experience, so proceed with that in mind)
there is a problem with the Refined Housewife expectation: education.
in general, education has been a good metric to judge how classy or smart one is in asia's largely on-the-surface meritocracy based culture. people will look at each other's school first and then judge them from there, and pretty hard too.
so everyone regardless of gender will be expected to study super hard. and bc having good test scores and going to good schools looks good for the family's face, parents will often pile on tuition to the child to get them a leg up in life.
bc also no good degree from good school means no future.
but then... the woman is expected to be a housewife. 🙃 meaning... the education, her accomplishments, are kinda... tossed away in this context. put a pin in this.
it wont matter how much she studied or accomplished, bc the expectation is that the woman would marry and obey her husband, and give him face/honor that way. the kids will come eventually bc having kids = being filial to ones parents in this context.
also uh. no, having adopted kids is not thought of as being filial. continuing the bloodline is.
and if you've been paying attention, then yes, ive been skirting around the backbone of sayama kaoru's writing foundations this entire time.
Her story has been butchered so clumsily i cant even...
lets just. ugh.
she fits the EABS standard, her tropes are trying to subvert the expectations of a womanly woman in this context, she has IMPRESSIVE education and career achievements. she works in a male dominated field, and is keenly aware of sexism. she is strong, stronger than her male peers, at least we are told.
by 2006s standards, its still considered a fresh take with those alone in japan. sexism there is its own flavor of crap. (if you noticed ive not spoken about LGBTQ+ stuff at all, its bc how ridiculously BINARY the expectation is at that point in time. it still is today but less so)
however, the writing has this sense of trying to copy the popular tropes at the time while not fully understanding and dissecting them, and ends up butchering sayama's character before the romance even properly began.
i mean, for fucks sake even, sayama and kiryu has a whopping 14 year age gap. when im told these are supposed to be believable people living in japan, this is too big for me to just go 'oh ok!'. and remember the Christmas Cake thing? shes 25. (FUCKING--!!!! !!)
the problem here that i see is the writer trying to apply all of those while trying to play the tropes straight. trying to imitate. trying to make a statement but then finding out theres nothing within yourself to stand by what you want to say and backtracking.
we are told:
sayama is strong yet she goes down with 1 slap by random thugs and needing kiryu to come in and body them. because romance ig.
we are told shes a yakuza hunter but she doesnt scare a single one beyond her introductory scene.
she goes from defiant and bossing kiryu around to getting her actions overridden by kiryu and ryuji, both men, towards the end
her subtext is that shes not feminine and therefore conventionally undesirable, but then kiryu tells her shes actually feminine and therefore desired, as if its all that matters.
she becomes so stricken by grief and freaked out that she runs off solo to deal with ryuji in the most out of left pocket planning ive ever fucking seen.
and then yells as she takes out her police baton to take down the big yakuza dude, drawing attention and turning herself into a hostage.
i know the writing will fumble but i didnt expect it to fumble this bad.
for all the good the surface chemistry kiryu and sayama has, its being undermined by a fundamental failure to understand tropes and then using said tropes as a crutch so much that everything here has become a bloody mess.
this failure of over-relying on tropes without understanding them extends to yumi too. sawamura yumi was young and beautiful, and became the Refined Housewife to the Not-Male-MC and ends up regretting it, and gets killed for it.
her defining trait is that she is beautiful in subtext. thats. thats what the tattoo is. in a world where the tattoo makeths the person, thats what she is and all that she is.
dear lord.
ive read up a bit more on sayama and you know what. good that she chooses her career over kiryu. the romance would have caused both of their characters to explode with the trajectory this was heading in. ffs sayama could have had her own game. she has so MUCH potential.
and also GOOD that the writer is forced to think of kiryu in the position of the Stay At Home Parent for haruka and the orphanage down the line!!! subverting the fucking traditional BS expectation! yes!!!!!
all i got was sayama and kiryu making out before the bomb went off in front of my alcohol and salad while they're like 'eh, haruka will forgive us for dying :')'
and i ran out of alcohol.
sexism? maybe. incompetence? definitely.
hhgrhgrhrghrghrgrhgr wow this got long. ugh. guhhhhhh.
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By: Allan Stratton
Published: Jul 23, 2023
Toronto is one of the most tolerant, multicultural cities in the world. And yet, according to many of its progressive journalists, academics, and politicians, it’s actually a den of systemic racism, sexism, homophobia and transphobia. Unless you’re a straight white man, daily life is supposedly an exhausting and dangerous struggle. If you live in the United States, the UK, Australia, or elsewhere in Canada, I’m guessing you’ve been told similar things about your own society.
I’m a gay man for whom these reports bear no relationship to the real world. Certainly, hate-crime statistics show a sharp increase in physical and verbal abuse against specific demographics, including my own. And there are even rare incidents of murder and arson. But to suggest that minorities live under constant threat from a bigoted majority is apocalyptic nonsense. This is especially true of Canada, an especially open, diverse, and welcoming country. Western nations, more generally, are incontrovertibly the most tolerant on the planet.
My heretical view (among fellow progressives, at least) may be due to my “positionality” (this being a faddishly woke jargon term that most English speakers would call “perspective”). The Holocaust and the internment of Japanese North Americans ended a mere six years before I was born. The pass system that turned Canadian Indigenous reservations into open-air prison camps was still in force. The United States was segregated by Jim Crow and redlining. Cross burnings and lynchings went unpunished. Marital rape was legal. Spousal abuse and unequal pay were commonplace. Gay sex and cross-dressing were criminalized, with outed individuals losing their jobs and children. “Fag bashing” was treated as public entertainment.
In the relatively few decades since, western governments have implemented universal civil and human rights protections for racial and sexual minorities. The speed and depth of this transformation has been so remarkable that it seems inconceivable that we ever lived as we once did. Has any other culture critiqued its failings and set about reforming itself so quickly?
This is not to suggest that everything is sunshine and lollipops. Human nature has not been repealed. Police departments without effective civilian oversight, for instance, continue to invite corruption and abuse. Nonetheless, we now have the tools to press for accountability, such as human rights tribunals and whistleblower protections.
It’s also important to acknowledge that while the relative increase in reported hate crimes may seem shocking, that rise is based on a remarkably low baseline. For instance, 2021 saw a 65 per cent increase in incidents (over 50 per cent of these comprising verbal slurs) targeting Canada’s LGB and T communities. But that still represents just 423 cases in a country of 40-million people. That’s hardly a “tsunami of hate.” The number is infinitesimal compared to the 114,132 domestic assaults and 34,242 sexual assaults recorded against women.
One often hears that a reversion to the backward ways of the past is just around the corner. And it is true that abortion rights now hang in the balance in many conservative U.S. states. But the idea that any Western country (especially Canada) is on the cusp of a wholesale rejection of liberal principles is absurd. Women will never again need their husband’s signature to open a bank account. Racial segregation is unthinkable (except, ironically, in certain progressive institutions). Marriage equality for same-sex couples is constitutionally protected in North America, and enjoys a historic 70 per cent level of support in the United States.
So, unlike those on the left who came of age in the 90s and the decades that followed, I don’t see an intolerant society destroying civil rights and minority safety. Rather, what I am now witnessing is a period of progressive overreach, led by ideologues with no (apparent) historical memory or understanding of how our liberal social contract evolved. They have turned language inside out so as to render words such as “woman,” “safety,” and “genocide” essentially meaningless; pursued policies that lock one-time progressive allies in a zero-sum culture-war conflict; recast free speech as hate speech; confused wishes (and, in some cases, fantasies) with rights; and punished dissenters from their Borg-think with social exclusion, “re-education,” and firing.
This radical attempt to unilaterally impose a new social order based on race and gender essentialism has ignited a widespread public backlash, which has been weaponized by the far right, destroyed public goodwill, and done more damage to the progressive cause than anything its reactionary enemies have done in recent years.
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The civil-rights movements of the last century won victories by liberal means based on liberal values. This included an insistence on free speech and civil liberties; and an appeal to the universal values of dignity and equality, which in turn underpin the case for protecting individual human rights and freedoms.
In part, this was because we liberals understood math. We needed white, straight, male legislators to support our causes, a project that could only be engaged through free and open debate. Empathy-based co-operation enabled us to create bridges among our diverse groups: The Gay Liberation Front raised money for the Black Panthers. In turn, its leader, Huey Newton, supported the gay liberation and women’s liberation movements. Meanwhile, Jewish groups applied their historical understanding of discrimination to help lead the fights for women’s rights (Betty Friedan), gay rights (Larry Kramer), and black voting rights, with some even giving their lives as Freedom Riders
By contrast, today’s illiberal left explicitly rejects the principles of free speech and universality. It ignores the lessons of past civil-rights successes, often denying that such successes even took place. After all, how can one insist on the dismantling (or “decolonization”) of a system that has shown itself capable of self-correction and continuous improvement? The only framework that validates the progressive narrative of ongoing oppression and white supremacy is one that ahistorically presents mainstream liberal values as a failure.
The switch in social-justice circles from liberal to authoritarian ends and means has at least three major causes. The first is structural: As (originally) liberal rights groups such as the ACLU achieved their objectives, they were required to rewrite their mission statements and pretend away their past successes — this being the only way to justify their ongoing existence.
Far from seeking to “burn it all down,” most of us within the original LGB and T movements simply wanted equality within existing social structures. We used liberal “respectability politics” to make our case, and (for the most part) folded our tents when we achieved our goal. The unwitting effect of this was to leave our old organizations to the radicals, who had long condemned us as sellouts to the patriarchy. Their goal is nothing less than the remaking — or “queering” — of society, a vaguely defined project infused with a deep suspicion of, or even hostility to, capitalism and the nuclear family. The liberal LGB and T wish to live and let live is now the authoritarian “live as we live.”
The second factor is generational change. Just as children separate from their parents in their passage to adulthood, so does each generation define itself in contradistinction to its immediate predecessor. Without personal memory of past struggles, present conditions are taken for granted. And so the battle against current injustices (real or otherwise) is seen as humanity’s defining and timeless struggle.
My generation mocked our parents’ conformity and stoic, suck-it-up ethos, forgetting that these traits had been necessary social adaptations during the Great Depression and World War II. Similarly, activists of this generation attack our commitment to free speech and integration within society, forgetting that these strategies were necessary for us to be heard during the Cold War, when outsiders were suspected as potential fifth columnists.
But perhaps the most significant factor has been the academic trend toward postmodernism, which instructs adherents that neither objective reality nor human nature exist in any certain, provable way. Reason, logic, and objective facts are rejected — or at least put in scare quotes — as are appeals to history and science. These are all held to be mere artifacts of language, which is itself presented as a reflection of existing power structures. And since these structures are presumed to systematically oppress the powerless, they must be deconstructed, dismantled, and decolonized, root and branch.
This kind of thinking isn’t just claptrap that flies in the face of day-to-day human experience. It also encourages a kind of intellectual nihilism that precludes amelioration of the injustices and power imbalances that supposedly concern many postmodern thinkers: After all, what could possibly replace our current power-based intellectual constructs except new power-based intellectual constructs?
Nonetheless, postmodern habits of mind (often flying under the banner of “critical” studies of one kind or another) have infected academic humanities and social science departments all over the west, much like the fungal parasite on The Last of Us. Its professorial hosts now work to dismantle their own institutions, attacking the “colonial” concepts of science and empiricism in favour of undefined and unfalsifiable “ways of knowing.” Meanwhile, their students have incubated its spores and spread them into the wider society, including corporate human-rights offices.
Progressives (rightly) have denounced Donald Trump and his supporters for their paranoid belief that the 2020 U.S. election was “stolen.” But these right-wing conspiracy theorists are not so different from campus leftists when it comes to their à la carte approach to accepting or rejecting reality according to passing ideological convenience
In particular, the idea that pronouns serve as magic spells that can turn a man into a (literal) women is no less ridiculous than anything Trump has ever said. The same goes for the mantra that while girls who cut themselves need therapy, girls seeking a double mastectomy require “affirmation.” Likewise: Racial segregation is a bigoted practice … except when it represents the very acme of progressive enlightenment. “Defund the police” doesn’t mean abolish the police, except when it means exactly that.
And then there’s Schrödinger’s Antifa, which presents these street thugs either as a very real force that rose up as a morally laudable reaction to fascism … or as something that exists only in Tucker Carlson’s fever dreams, depending on context.
But postmodernism and critical theory have done more than just damage our societies’ intellectual cohesion. Their denial of universal human nature eliminates empathy as a tool to bridge differences among groups, which are instead presented as warring sects prosecuting unbridgeable race (or gender) feuds. Since power is presented as the singular currency of the realm, the ability to shut the other side up is valued more than the ability to persuade it.
Gay men such as Andrew Sullivan and Andrew Doyle have been among the most prominent dissenters against wokeism — in part because we instinctively recognize the destructive nature of this power-fixated mindset. Our experience suggests that empathy and reason are far more important than threats and cultural power plays.
Dave Chappelle has said that the LGBT movement won public support more quickly than its black counterpart because of racism. But I believe the truth is different: Unlike racial and ethnic minorities, we exist in every demographic, every family, every ethnic category. When we gay men came out en masse during the 1980s AIDS pandemic, all communities realized that we were among its children, parents, and siblings. People have a harder time discriminating against their own than against outsiders.
Traditionally, the left has appealed to a sense of camaraderie and shared purpose. The resulting project of alliance-building has entailed negotiation among different groups, all of which may have different priorities and perspectives. But that alliance-building project becomes impossible when one sect or another demands that disagreement be treated as a form of thoughtcrime. Deplatforming doesn’t just hurt the target; it also hurts the movement, since the summary excommunication of dissidents means that adherents never need to acknowledge or address counterarguments, internal logical inconsistencies, or the off-putting nature of their message.
Indeed, ideologues such as Nikole Hannah-Jones claim that politics has a colour: Blacks who aren’t “politically black” are traitors who collaborate with “whiteness.” As seen through this lens, Asian-Americans who fight anti-Asian discrimination in the context of affirmative action are supposedly puppets of white supremacists, and the LGB Alliance, by standing up for same-sex attraction, is smeared as a transphobic hate group. (For asserting that biology is real, Stonewall UK even tried to destroy the career of one of the LGB Alliance’s founders, Allison Bailey, a lifelong social justice advocate who happens to be a black, working-class lesbian, and the child of immigrant parents. Thankfully, Stonewall did not prevail.)
Opponents of cancel culture often focus on its negative effects on conservatives. But it’s often woke organizations that end up imploding under its strains, typically due to internal battles over victimhood status and linguistic control. In recent years, many of these groups have been driven off the rails by single-issue gender activists who are willing to support misogyny and homophobia in the name of trans rights; or BLM activists willing to permit racism directed at “model minorities.” Even antisemites have been allowed to infiltrate left-wing political parties, the arts establishment, and anti-racist education initiatives. No wonder everyone involved with this movement is always complaining about how emotionally “exhausted” they are: They’re surrounded by toxic fellow travellers who gaslight them as right-stooges if they dare raise a complaint.
Another notable feature of militant social-justice movements is the sheer joylessness of their leaders and supporters, a condition that often seems to blur into a collectively embraced state of clinical depression and paranoia. This posture flows from their presupposition that they suffer endlessly due to the malignant primordial character of “whiteness” and heteronormativity (or, yet worse, cisheteronormativity). The language of individual agency and hope, which animates liberalism, is replaced with a soul-dead idiom by which the activist presents as a self-pitying victim of oppression, constantly at risk of suicidal ideation, erasure, and genocide.
Even privileged “allies” are encouraged to dwell on their whiteness, straightness, cisness, “settler” status, and other marks of intersectional Cain. By erasing the possibility of redemption, the movement alienates liberal allies who are seeking to build bridges with others en route to living successful and fulfilling lives in a way that escapes the politics of identity. The social-justice puritan, being primarily concerned with advancing his status within a cultish inward-seeking subculture that’s constantly inventing new grievances, on the other hand, finds such a goal unthinkable.
The use of words such as “harm” and “violence” to describe the microaggressions known to the rest of us as “daily life” is a particularly unattractive feature of social-justice culture. In the 1980s, gays and lesbians responded to daily discrimination with the chant, “We’re here, we’re queer, get used to it.” Today, the children and grandchildren of that generation, now enjoying full civil rights and perches within elites sectors of government, culture, and high society, instead tell us, “We’re here, we’re queer, and … we’re terrified to step outside.” As a gay man, it’s humiliating to hear this kind of maudlin rhetoric uttered in my name.
The broad public, long sympathetic and accommodating, has had it. People have no time for hysterical activists who whine, bully, and hector them about things they didn’t do and over which they have no control. This is particularly true when those same activists demand the elimination of women’s sex-based rights, the medical sterilization of children and teens, and the explicit exclusion of job applicants by race. The more that ordinary men and women came to learn about gay marriage, the more they accepted it. By contrast, the more that ordinary men and women come to learn about trans-activist demands and critical race theory, the more they’ve become repulsed.
Support for Black Lives Matter collapsed when the woke trivialized the arson and looting that accompanied the George Floyd protests. The public was completely onside with the left’s demand for police reform, but horrified by the extremist push to dismantle public security, and enraged that the left justified breaking pandemic restrictions for protests while insisting that grieving families be kept from their dying relatives in hospitals.
Likewise, Lia Thomas tanked support on gender radicalism. The public had long welcomed trans civil rights, sympathized with those suffering dysphoria, and accepted that even non-dysphoric trans-identified individuals should be able to live and present as they wished. But the sight of a strapping, butch male taking women’s prizes and opportunities was a breaststroke too far.
Facing resistance, the woke doubled down, insisting on automatic gender affirmation for everyone, including rapists and children. The result gifted social conservatives an issue of concern to majorities across the political spectrum. Now, progressives in the U.S. face a raft of bills that, among other things, resurrect false charges of Alphabet paedophilia. No wonder LGB groups are jettisoning the T: In the space of just a few years, trans activists have undone the good work that gay activists did over multiple generations.
The progressive movement must stand up to its extremists. We must restore the liberal social compact that won our civil and human rights. That means we should root our claims in areas of common ground, demanding fair treatment, but not the right to dictate what others think.
The most intense theatres of culture-war combat involve the education of children, an area in which liberal attitudes must be allowed to hold sway. Popular free speech principles should be applied to school libraries and curricula — which means opposing campaigns to root out books demonized by both the left and the right alike. In classrooms, an open exploration of history can provide a context for kids to discuss how injustices were overcome in the past and how they might be handled in the present. Students can be taught to brainstorm how to use their advantages to help the less fortunate, and how others in their situation have dealt with adversity. But they should never be taught that personal relationships and moral hierarchies are determined by the colour of one’s skin.
Likewise, boys and girls should be allowed to play and dress free of gender stereotypes, with a no-bullying policy strictly enforced. They should learn who they are by themselves, and be taught that they are more than the sum of their parts. They should not be labelled by ideological adults consumed by a mania for gender theory. In school, I skipped with the girls, had a lisp, and liked to play with china elves. That didn’t make me a girl, just as dressing butch and dreading the effects of a puberty doesn’t turn a lesbian into a boy. (I shudder to think what might have happened were I a child today.)
We should also return to the left’s traditional focus on class. Diversty, equity, and inclusion initiatives enrich the small group of well-educated profiteers who proselytize the DEI faith, but they’re actually worse than useless when it comes to workplaces, exacerbating intolerance among the hapless workers forced to submit to tedious seminars and questionnaires. Resources from the DEI industry’s rapidly metastasizing bureaucracies should be redirected to programs that materially help the poor: Unlike affirmative action programs, investments in deprived neighbourhoods disproportionately assist minorities without the creation of double-standards and racial left-behinds that serve to energize white nationalists. They also support social mobility and economic inclusion.
“I just want to say—you know—can we, can we all get along?” is how Rodney King put it in 1991. While many of us might read the underlying sentiment as self-evident, the militant social-justice left now treats it as a forbidden lie, since the entire movement is based on the conceit that peaceful and harmonious coexistence is impossible within a pluralistic liberal society that doesn’t forcibly “queer” itself, endlessly hector citizens about their bigotry, and segregate workers and students by skin colour.
I believe we can all get along. As a progressive, a gay man, a Canadian, and a liberal, I want no part of any movement — whatever it calls itself — that insists we can’t.
[ Mirror: https://archive.is/es3Q4 ]
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To the extent that liberal principles are actually being rejected, it's coming from both the authoritarian reactionary right, and the authoritarian postmodern left.
#Allan Stratton#liberal ethics#liberal values#liberalism#illiberalism#antiliberalism#anti liberal#critical social justice#social justice#wokeism#cult of woke#wokeness as religion#woke#toxic wokeness#religion is a mental illness
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excluding the wicca, and other weird kinda basic "spiritualism" that usually young women get into for aesthetic or out of boredom, what part of modern european derived paganism is cringe? are the public celebrations or festivals people have insincere or incorrect? are a lot of westerners and especially americans who practice it just cringe in general unrelated to what they practice? why is wicca even considered cringe?
well, what you mentioned is the bulk of what i consider cringe. i find the pagans on the other side of the spectrum cringe too though. the ones who are so rigid and dogmatic in their reconstructionism that they are basically christians in all but name.
anyway, this got a bit long so keep reading if you dare...
most public celebrations i see are pretty embarrassing. but i think that's mostly because most are performed by the aforementioned new age/spiritualist groups. so i think some of their inherent cringe just rubs off on the ceremonies, even if the ceremonies are done sincerely/correctly (which i'd say they rarely are and that definitely contributes to the cringe). not that i think there is only one correct way of doing things. i'm all for creating new traditions.
as for why wicca is considered cringe, it will obviously vary from person to person. but to me it just comes off is deeply basic and artificial. the religion was almost entirely invented wholesale in the 50s based on a bunch of ahistorical assumptions. and it just feels really larpy and performative and surface-level. i've never known a wiccan with any real deep theology or philosophy. it feels like it's only ever a phase. and honestly that's all it ever should be.
and just my personal experience with wiccans has always been cringe. i've known wiccans and they always just act cringe. they'd dress up in cheap costumes and stand in circles around crystals and recite awkward chants. they'd find spells and curses on the first new age blog they find. no real consideration for history or the seriousness of magic. no serious study or thought. it's always just doing "whatever feels right." it's like the pagan version of satanism. it's just what loner kids get into to be edgy and find some sense of community. and that's fair. it's baby's first heterodoxy. but don't expect me to take it seriously as a religion for adults. like i mentioned earlier, it should only ever be a phase and i expect any serious pagans to grow out of it.
#and to be clear i draw a distinction between the specific religion known as wicca#and the more general practice of witchcraft#in this answer i'm only talking about the former and not the latter
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his robe is actually printed not embroidered! historically, fabric like this would have been hand-printed with a series of complex, interlocking carved wooden blocks like this:
this is actually better than embroidered given the goal of costuming as 'communicating a lot of info about a character without exposition'. Banyan robes like this would have been worn as fashionable 'undress' at home by gentlemen - so not really appropriate to be traipsing around doing naturalist things. But, from this production's standpoint it is serving to show Maturin as softer, more 'natural' and more casual in contrast to the more stiff/traditional naval characters.
by the early 19th c. embroidery was already largely relegated to formal wear for men, until it basically disappeared from menswear almost entirely later in the century (aside from occasional exceptions like livery or a subtle design on a waistcoat or an emblem or something).
Cottons printed in India - like chintz and calico (both words derive from Hindi) - and later, fabrics printed in Europe which basically copied Indian design & aesthetics wholesale, were very popular for more informal clothing in the west starting in the later part of the 18th century. Here's a dress with a quite similar pattern from a similar period:
The wiki lists banyans as being inspired by kimono, but considering the relatively limited exposure the west had to Japanese material goods prior to the mid 19th c. and the fact that 'banyan' has sanskrit origins, I think it's far more likely that the style of garment was inspired by the many open-robe style overgarments worn throughout the near east and through southeast Asia.
Many banyans were imported garments with minimal modification, (or even could be made directly for export to the European market - a similar thing happened in the late 19th century with Western women snapping up and wearing kimono as dishabille at the height of late 19th c. Japonisme)
I want to live my hot girl summer like I’m stephen maturin in the galapagos- just a straw hat, a sexy embroidered robe, some lizards, and vibes
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Ready-Made Garment Manufacturers in India – Labisa
India stands tall as one of the world's largest hubs for ready-made garments. Among the most prominent players in this thriving industry is Labisa, a name synonymous with quality, innovation, and reliability. Catering to bulk buyers, distributors, wholesalers, and stockists, Labisa has earned a reputation as a trusted ready-made garment manufacturer in India. In this article, we’ll explore why Labisa stands out in the Indian textile market and how its expertise can fulfill your B2B garment needs.
Introduction to the Ready-Made Garment Industry in India
The Indian garment sector is renowned worldwide for its diversity, craftsmanship, and cost efficiency. India’s dominance in Indian textile manufacturing comes from centuries-old traditions, a skilled workforce, and modern technology. Ready-made garments form a critical part of this ecosystem, providing global markets with stylish and affordable options.
An Overview of Labisa’s Role in India’s Garment Industry
Established in 1991 and headquartered in Mumbai, Labisa has been at the forefront of the Indian garment industry. The company specializes in delivering high-quality, fashionable clothing tailored for bulk buyers. Its unique approach blends traditional expertise with contemporary designs to meet the evolving demands of both domestic and international markets.
With a state-of-the-art facility located in Dharavi, Mumbai—India’s largest textile hub—Labisa serves as a one-stop solution for B2B buyers looking for reliable garment suppliers.
The Importance of India in Global Garment Manufacturing
India's garment manufacturing capabilities have garnered global recognition for several reasons:
Cost-Effective Production: Competitive labor and material costs allow for affordable pricing without compromising quality.
Skilled Workforce: Indian manufacturers have a long-standing reputation for delivering intricate designs and premium fabrics.
Diverse Product Range: From ethnic wear to western outfits, Indian garment producers offer unparalleled variety.
As a significant contributor to this industry, Labisa plays a vital role in exporting Indian craftsmanship to the world.
Key Features of Labisa as a Leading Manufacturer
High-Quality Fabrics and Raw Materials
Labisa’s garments are crafted from premium-grade fabrics sourced from trusted suppliers. This ensures durability, comfort, and appeal in every product.
Skilled Workforce and Advanced Machinery
The company employs a dedicated team of artisans and designers who work alongside cutting-edge machinery to maintain efficiency and precision.
Sustainability Practices
Labisa embraces eco-friendly manufacturing processes, reducing waste and utilizing sustainable materials wherever possible.
Certifications and Quality Assurance
Every product undergoes stringent quality checks to meet international standards, making Labisa a reliable partner for global brands.
Product Range Offered by Labisa
Labisa caters to a broad spectrum of clothing requirements:
Men’s Wear
Stylish shirts, trousers, and casual wear designed for comfort and durability.
Women’s Wear
An extensive collection of trendy kurtis, dresses, and tops catering to modern fashion needs.
Kids’ Wear
Comfortable, vibrant, and durable clothing options tailored for children.
Specialized Clothing for Various Segments
Labisa also offers customization services for uniforms, promotional clothing, and other niche requirements.
Competitive Advantages of Labisa Over Other Manufacturers
Labisa’s edge lies in its ability to balance affordability with premium quality.
Cost-Effectiveness: Bulk buyers benefit from competitive pricing.
Expertise in Export Markets: Labisa has years of experience catering to international clients, ensuring compliance with global standards.
Fast Turnaround Times: With streamlined operations, Labisa ensures timely delivery even for large orders.
For businesses seeking a reliable B2B garment partner, Labisa offers the perfect blend of quality, scalability, and reliability.
Technology and Innovation in Labisa’s Manufacturing Process
Labisa integrates advanced technology into its operations to stay ahead of the curve:
Automation: Modern equipment ensures precision in cutting, stitching, and finishing.
Innovative Design Tools: Labisa uses digital tools to craft designs that resonate with contemporary trends.
Quality Control: Technology-driven inspections guarantee consistency in every batch.
Challenges Faced by Ready-Made Garment Manufacturers in India
Despite its strengths, the Indian garment industry faces challenges:
Rising Competition: Both local and international players make the market highly competitive.
Fluctuating Raw Material Costs: Prices of cotton, silk, and other fabrics often vary, impacting profitability.
Compliance Issues: Meeting environmental and labor regulations adds complexity.
Labisa mitigates these challenges by adopting sustainable practices, maintaining cost efficiency, and investing in innovation.
Labisa’s Contribution to India’s Economy and Employment
Labisa not only contributes to the economy but also empowers communities:
Job Creation: By employing a skilled workforce, Labisa supports thousands of families in Mumbai and beyond.
Empowering Women: Many women find employment opportunities at Labisa, enhancing their socio-economic status.
Supporting Ancillary Industries: From fabric suppliers to logistics providers, Labisa’s operations boost related sectors.
The Role of Labisa in Promoting Sustainability in Fashion
Labisa prioritizes environmental responsibility in its manufacturing processes:
Ethical Sourcing: Materials are obtained from suppliers who adhere to sustainable practices.
Eco-Friendly Manufacturing: Reduced waste, efficient water usage, and low-energy consumption are key aspects of Labisa’s operations.
Recycling Initiatives: Labisa actively incorporates recycled materials into its production.
Labisa’s Presence in Global Markets
As a trusted garment supplier, Labisa has a strong foothold in export markets, particularly in the Middle East, Europe, and North America. Its adherence to international standards and timely delivery have made it a preferred choice for global B2B buyers.
How to Collaborate with Labisa for Manufacturing Needs
Partnering with Labisa is a straightforward process:
Contact Us: Reach out via phone at Afzal: +91 98929 39564 or Labisa Sales: +91 81699 85975. Alternatively, email us at [email protected] or [email protected].
Customization Options: Labisa offers personalized services, from design consultation to bulk manufacturing.
Order Fulfillment: Whether small or large-scale orders, Labisa ensures efficiency and reliability.
Visit our office at Sion West, Dharavi, Mumbai, Mumbai 400017, for a closer look at our operations.
Testimonials and Success Stories of Labisa’s Clients
Clients worldwide vouch for Labisa’s professionalism and quality. From fulfilling bulk orders for wholesalers to designing bespoke collections for retailers, Labisa’s versatility shines through in every project.
Future Trends for Ready-Made Garments in India and Labisa’s Preparedness
As fashion evolves, so do the demands of the industry. Labisa is poised to embrace the future:
Sustainable Fashion: With growing interest in eco-friendly garments, Labisa is investing heavily in green manufacturing.
Technological Integration: AI-driven designs and automated processes will further enhance productivity.
Global Expansion: Labisa aims to strengthen its presence in new markets while retaining its core values.
Conclusion: Why Choose Labisa for Ready-Made Garment Manufacturing
For bulk buyers, distributors, wholesalers, and stockists, Labisa offers unmatched expertise in ready-made garments. With a commitment to quality, sustainability, and timely delivery, Labisa ensures a seamless experience for its B2B clients.
Take the next step today! Partner with Labisa and experience the difference. Contact us at:
Afzal: +91 98929 39564
Labisa Sales: +91 81699 85975
Email: [email protected] / [email protected]
Address: Sion West, Dharavi, Mumbai, Mumbai 400017
Visit Labisa to explore our offerings and start your journey with one of the best ready-made garment manufacturers in India.
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List of Best Clothing Manufacturers for Small Orders
As a clothing business owner finding the right kind of wholesale clothes manufacturer is very essential, one who can offer high-quality fabric-made ready-made ladies' garments at great prices.
Especially if you have a new clothing line or looking for a trendy women's garment collection. Worry not, we have got you covered.
Here is a list of the best women's clothes manufacturing companies in Kolkata that provide ready-made garments wholesale at unbelievable prices and a variety of options to choose from you can easily find exactly what you need.
Burgundy Clothing
Located in Kolkata Burgundy Clothing is the best ladies' Ready-made garments manufacturer in Kolkata. Clothes are 100% made in India and the fabrics are sustainable.
Today consumers are increasingly concerned about ethical practices hence as a retailer aligning manufacturers with sustainable practices can greatly enhance your brand image.
Additionally, Burgundy Clothing is a certified sustainable fashion certification like Global Textile Standard(GOTS).
Customization is yet another highlight of this women's clothing manufacturer, they believe that regular communication leads to enhanced collaboration on new arrivals, customization of clothes product improvement and so on.
Women are meticulous about fashion and how they present themselves hence Quality is non-negotiable when it comes to women's fashion, thus, this manufacturing company ensure to use of durable and breathable fabrics with 100% cotton, recycled fabrics that retain shape, colour, and texture, after several washes and years of use through a quality control process to prevent skin allergy from clothes.
When we talk about the collection, Burgundy Clothing has an enormous collection of Indian traditional women's wear like ethnic kurta sets, ethnic dresses, trendy western wear, dress materials, work wear or office wear collections for women. You name it and they have it all.
You can always check their website for small to bulk orders to discover more or visit their store in Kolkata.
Textile Export
Do you cater to high-end fashionistas, fashion influencers, conscious shoppers or perhaps a mix of all of them? Textile Export will be the right choice for you.
After 10+ years of providing extraordinary fashion wear for women. We are not just talking about the selection of sarees, wholesale kurtis, dress materials, wholesale lehengas and Western wear readymade dress gowns, kids' clothing, men's clothing and so on that will leave you stunned.
And that is the best part? They accept made-to-order requests so you get exactly what you looking for.
No outfit is complete without the perfect accessories and fashion jewellery that adds a touch of glam
As a leading cloth manufacturer, they have shipped lakhs of products worldwide with cash on delivery so no need to worry about upfront payments and helped countless small to large businesses flourish.
Wholesale Box
Specializing in Ethnic wear that captures the essence of Indian tradition Wholesale Box is the best ladies' Ready-made garments manufacturer in Kolkata.
Not limited to women's fashion alone they also offer a range of men's clothing. Wholesale home furnishing equipment and wholesaler of ready-made garments such as nightwear, western wear, bottoms, unstitched suits, yardage(Thaan), innerwear, accessories and so on.
If you are a retailer looking for a trustworthy ladies' clothes manufacturer and supplier near you in Kolkata, Wholesale Box is the one you can trust blindfolded.
This cloth manufacturing company in Kolkata is known for reliable deliveries and helped retailers maintain optimal inventory levels reducing risks of stockouts and lost sales.
Shree Vastralaya
Their product lineup includes stunning ethnic wear that beautifully reflects cultural heritage, alongside trendy nightwear, versatile bottoms, and an array of premium fabrics.
Each piece is designed with meticulous attention to detail, ensuring that every garment not only looks good but feels comfortable and durable.
Their reputation for delivering high-quality products consistently has solidified their position as a top choice in the market, making them a go-to manufacturer for those who value both elegance and reliability
Amrit Studio
Amrit Studio is more than just a ladies' clothing manufacturer; it is a beacon of quality, innovation, and reliability in the fashion industry.
With a strong focus on craftsmanship, fabric excellence, and trendsetting designs.Sourced from trusted suppliers, ensuring that each garment is not only beautiful but also durable and comfortable.
Their range of nightgowns, pyjamas, sarees, lehengas, kurti sets, ethnic wear sets and loungewear is designed to provide maximum comfort
They take inspiration from global fashion trends while maintaining a strong connection to traditional aesthetics, resulting in designs that are both innovative and timeless.
ConclusionThe above-mentioned brands like Burgundy Clothing are leading ladies' clothes manufacturers in Kolkata. Their extensive range of products, from exquisite ethnic wear to stylish contemporary outfits, is a testament to their versatility and expertise. With a strong focus on craftsmanship, fabric excellence, and trendsetting designs, they continue to lead the way in ladies' fashion for years making them the go-to choice for retailers seeking to offer their customers the best in quality and style in garments. Partnering with these top women's clothing manufacturers and suppliers means more than just access to high-quality garments; it means joining hands with a company that values integrity, sustainability, and the timeless art of fashion.
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Top 10 Ladies Dress Brand in Bangladesh
Over the years Bangladesh has become a very fashionable country with our clothes making a big splash in the international markets. Some ladies dress brands are becoming very popular in countries worldwide. Today we will be looking at the top 10 ladies dress brand in Bangladesh that you must take a look at. All of these fashion houses can be found in Dhaka and other Bangladeshi cities.
Aside from these, you can also find other smaller and more local brands that make some truly stylish dresses for women. Designers working for these fashion houses and boutique dress stores continuously create wonderful dresses for women. They blend tradition and modern aesthetics to create something new. So, let’s review the top ladies dress brand in Bangladesh in 2024.
1. Aarong
Website: www.aarong.com
Aarong came to be from the mind of Fazle Hasan Abed, director of BRAC, in 1978. They were established just a few years after the independence of Bangladesh. Aarong stands for village fair, which is a nod to the brand’s main inspiration. They keep the native culture, traditions, crafts, and fashions in mind while supporting rural artists. Aarong has now become the leader of Bengali ethnic and traditional clothing nationally and internationally. Their clothing line includes Sarees, Salwar-Kamizes, scarfs, Dupattas, and much more.
2. Cats Eye
Website: www.catseye.com.bd
Cats Eye is a brand that is a combination of Monsoon Rain and Unlimited which are two other clothing brands. It was established in 1980 and has now become one of the top 10 ladies dress brand in Bangladesh. Its initial operation was in a Green Super Market shop. But now it sells many women’s apparel: Sarees, Salwar-Kamizes, scarves, and other fashion accessories.
3. Richman
Website: www.richmanbd.com
Richman is primarily a popular men’s fashion brand, but it does sell some apparel for women. It was founded in 2003 and is part of the Lubnan Trade Consortium Limited. They sell all kinds of ethnic wear, casual wear, formal wear, ladies wear, and kids’ wear. Currently, they are under the brands of Lubnan, Richman, and Infinity. Over the years, Richman has slowly grown bigger, and now there are more than 47 locations for Richman.
4. NogorPolli (নগর পল্লী)
Website: www.nogorpolli.com
They are a simple apparel and clothing store that specializes in high-quality and unique clothing. In addition to comfortable everyday wear, they also make other clothing like panjabi, sweaters, etc. There is something available for everyone at NogorPolli (নগর পল্লী). If you are looking for ladies’ dresses in unique and traditional designs, then they are an excellent choice that won’t break your bank.
5. Yellow
Website: www.yellowclothing.net
Ladies looking for the trendiest dresses must look at the Yellow collection. This brand is owned and established by the Beximco group, which is one of the top wholesale clothing manufacturers in 2024. Aside from having stores in Dhaka and other parts of Bangladesh, Yellow also has stores internationally like in Pakistan. Ladies can find a wide range of Sarees, Kameezes, Hijabs, t-shirts, jeans, etc at Yellow at surprisingly affordable prices. Their uniquely designed collection has made them quite well known which is why it’s on our list of the top 10 ladies dress brand in Bangladesh.
6. Ecstasy
Website: www.ecstasybd.com
Another top ladies’ dress brand in Bangladesh is Ecstasy, founded in 1997. It has become quite popular amongst the younger generation and has now become one of the biggest fashion retailers. They sells a wide range of clothing and accessories that are either traditional or Western. From ladies’ everyday wear to jewelry, footwear, and bags, they sell them all. They also offer light partywear to glamorous kameezes.
7. Dorjibari
Website: www.dorjibari.com.bd
Founded in 2007, Dorjibari is one of Bangladesh’s newest yet most popular ladies’ dress brands. Within a few years of its founding, it has become a top textile brand in Bangladesh. The clothes they sell are an interesting blend of desi and Western cultures, which is what puts them at the top of many people’s interests. In fact, currently, it’s a trendy brand among teenagers. Dorjibari has a diverse collection of ladies’ dresses that fit all age groups, occasions, and styles.
8. Kay Kraft
Website: www.kaykraft.com
Kay Kraft is currently one of the top 10 ladies dress brand in Bangladesh. They are both a retailer and wholesaler of clothing for men, women, and kids. They also sell fashion accessories and other products made in Bangladesh. The brand primarily targets the youth of Bangladesh and they are quite successful at it. The younger generation very much likes their collection. They are, in fact, quite popular among middle-class young professionals and students.
9. Le Reve
Website: www.lerevecraze.com
Le Reve is a part of REVE Tex Ltd, which is an enterprise of REVE Group. Le Reve has become the go-to clothing option for many men, women, and children who are looking for something affordable. Sarees, bottom wear, western and fusion clothing, and more are available for women who are looking for trendy options. Men can find trendy and comfortable shirts, t-shirts, jeans, Panjabis, and much more from Le Reve. They also have a wonderful collection of accessories and personal care products for men and women.
10. Rang
Website: www.rang-bd.com
Rang is the last of our top 10 ladies dress brands in Bangladesh. They particularly make local hand-loom clothing and handicraft products. Rang stands for enlightening something by color which is seen in their clothing. The brand’s mission is to make desi tradition more visible through paintings and clothing. They experiment with a lot of fabrics and colors while designing their products for consumers.
Conclusion
That was our top 10 ladies dress brand in Bangladesh that you might want to check out for yourself. Each of the 10 brands we discussed are trending among the youth or professionals in Bangladesh. They all offer uniquely designed, traditional or modern clothing that are sure to be a hit with the ladies.
If you are ever looking for everyday or party dresses, our list of brands can and should be your go-to choices. From elegant to functional dresses, they are all available at these brand stores at affordable prices.
FAQs
Q. Which brand is best for ladies clothing?
We already mentioned the top 10 brands for ladies clothing in Bangladesh. Of the ten, the most famous or number one must be Aarong. This brand is world-famous for its traditional designs and quality craftsmanship.
Q. Which fabric is famous for Dhaka?
Muslin and Dhakai Jamdani are the two most famous fabrics from the Dhaka area in Bangladesh. The main features of these fabrics are their softness, intricate designs, and fine texture.
Q. What is a Bengali saree called?
The Bengali sarees are called “Tant saree” or “Tangail saree,” made with lightweight cotton threads. The design or pattern of these sarees is typically inspired by Bengali culture.
Q. What is the lady’s dress style in Bangladesh?
The traditional dress style of Bangladeshi ladies is in sarees, salwar kameez, and kurtis. But nowadays, the Western style of dressing is becoming popular among professional ladies. The Western style includes dresses and tops.
Q. How much does ladies’ dress go for in Bangladesh?
Ladies’ dress prices in Bangladesh vary based on many factors. The size of the dress, its patterns, and the brand name can make the dress cheaper or more expensive. On average, you might have to pay a few thousand to tens of thousands for a ladies’ dress in Bangladesh.
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Sparkling Splendor Wholesale Earring Tikka Jewellery Designs
Maang tikkas are the most adored type of forehead jewellery that women of all ages love to carry with their ethnic attires. Whether it is a wedding at your own place or some other traditional occasion, wearing an earring with tikka set with your traditional dress such as a saree, lehenga, or salwar suit always works.
But now, with time, the dressing trend has also changed, and women prefer to look trendy in indo-western attire in many of these functions. For such cases, indo-western earrings and maang tikka sets are the best things to go for.
Exquisite Indo-Western Earring Tikka
Gone are the days when your jewellery sets consisted of earrings, necklaces, and a maang tikka to match up with your saree or lehenga. Today, when it is all about indo-western styling, the concept of jewellery sets has also got transformed. When you are planning to wear a nice embroidered kurti over your fitted pair of denim, you will love to try to heighten your fashion quotient at a party with an indo-western maang tikka that also matches with your indo-western earrings.
Try out wearing such a set of earrings with maang tikka to level up your style while you have planned to wear an indo-western styled gown or dress for an event or occasion. As these sets are available in different colours, you can always wear them with matching dresses, as a green set will look tremendous with a green halter dress for an evening party somewhere.
The charm of these sets is that it does not just adds sophistication to western dresses but also compliments quite well with many of your traditional outfits if you are making the right choice.
Get Trendy Indo-Western Earring Tikkas For Every Occasion
Indo-western earring tikka sets do not just mean that you can store them just for your indo-western attires. As mentioned earlier, if you are making the right selection, you can wear them with any dress and for any occasion that you attend.
When you check out at Kanhai Jewels, you will be awestruck by the range of trendy products that we offer depending upon different occasions. For example, you can go for a chand jhumka with maang tikka set for special occasions such as a Diwali party or so on. You can match them up either with your traditional salwar suit or even with your indo-western dress of skirt or denim with a kurti or top.
Similarly, if you have a wedding to attend, you can go for the meenakari-styled set that is lavishly designed and can compliment your lehenga or saree perfectly. If you are someone who wishes to keep your makeup minimalist, wearing such heavy jewellery options to complete the look is always a great idea.
There are also many other trendy designs available in this section, such as the pearl design, beaded design, and many others that are perfect for other smaller occasions, such as a family get-together to celebrate someone’s special day.
Why Kanhai Jewels?
Choosing the right jewellery from the right place is extremely important in order to look the best and make heads turn. Kanhai Jewels promise of quality and trend-setting styles that you can surely rely upon. We offer earrings and maang tikka in different styles, variants, and colours so that there is never a scarcity of choices.
We understand how buying new gold jewellery for every big or small occasion can get expensive for your pocket. Hence, our experts display the best artificial jewellery sets that are easy on your pocket but add a stunning shine to your look for sure because compromising on quality has never been our thing.
Do you have a style of colour in your mind while you are searching from the massive ocean of sets? Simply cut down your search by making use of the filter options provided and getting only those earrings with maang tikka sets that are appropriate according to your imagined style and colour. Choose from a wide range of items displayed to get exactly the one that you think is perfect for your dress and the occasion for which you are buying it and that too with a much budget-friendly price tag.
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The Hottest Indo-Western Necklace Styles of the Season
Perfect pair for all outfits
In the world of jewellery, necklaces need special attention. This attention-getting piece will easily go with any outfit. For many ages, they have been one of the most fashionable jewellery pieces. It’s vital to keep a few things in mind when choosing a necklace. Invest in a gorgeous Indo Western necklace to add to your accessory collection.
Indo-Western Necklace
Necklaces form a pivotal part of any jewellery ensemble. Talk about the mediaeval era or today’s progressive and modern era, a woman’s ensemble is deemed incomplete without a suitable necklace. Given this, the market has witnessed a styling revolution and versatility in terms of necklaces. And Indo-Western fancy necklaces are the ones that have taken the jewellery sphere by storm, lately. As the name suggests, these necklaces bear the imprints of both Indian cultural heritage and western vibe and inspiration. These designer necklaces can be stylish, sophisticated and elegant. These exude an aura of phenomenal feminism.
Ethnic Looks with Indo-Western Necklaces
Indo-Western fancy necklaces are the jewellery artefacts that go well with both Indian and Western outfits. These are effortlessly captivating and in a league of their own. Whether you are wearing a gorgeous 9-yard saree or a lehenga choli or have styled yourself up in Indo-Western fusion wear, our Indo-Western designer necklaces can be your go-to choice.
Whether you are looking for a Monalisa Stone necklace or a peacock-themed one, or a classic necklace, we have got you covered. If your preferences lean mostly towards the latest patterns, you will be amazed by our trendy designer necklaces.
Grace festive occasions in mindblowing styles with some of our gold, rose gold, oxidised, 2-Tone, mehndi and matte gold-plated necklaces. Brown, white, maroon, blue-pink or green, whatever your heart desires and whatever your ensemble warrants, get some awe-inspiring fancy necklaces online at Kanhai Jewels.
Turn heads wherever you go with Indo-western necklaces
At Kanhai jewels, the considerable assortment of these Indo-Western Necklaces with sparkling hues, dynamic detailing, and dazzling patterns will leave you stunned. These lovely neckpieces are designed with today’s women in mind, who are modern but still hold traditional values. Moreover, prettify your cocktail dress by buying an artificial indo western necklace set online to get a super feminine look.
Breathtaking online collection
Sit comfortably on your sofa, have a drink, and browse through the entire breath-taking collection of Indo Western Necklace at the most popular artificial indo western necklace set supplier. Also, the collection at Kanhai jewels will amp up your look as it incorporates AD necklaces, temple jewellery base necklaces, valentine’s collection, Indo western necklaces, and jewellery combos.
No matter what you pick, it will highlight every feature if you wear high-heels. After getting enough Indo Western Necklace pieces from our Indo western necklace manufacturer supplier in India, you will draw the attention of every person around you. Accessorise yourself with a metal ethnic necklace and gold kitten heels to make a statement. It’s high time to buy Indo-Western necklaces to add panache to your traditional and ethnic outfits. These neck jewels are also ideal for gifting on special occasions, and you’ll never go amiss with them.
Where to Buy Indo-Western Necklace Online in Wholesale?
Are you considering refurbishing your necklace collection? Already have Gold, Kundan, antique, AD/CZ short and long necklaces? Wondering what addition could freshen up your necklace collection? It’s Indo-Western fancy necklaces. And Kanhai Jewels can be your one-stop destination for availing of premium-quality Indo-Western fusion necklaces at unbeatable prices.
Kanhai Jewels is globally renowned for its expert craftsmanship, premium quality jewellery artefacts, great prices, uniqueness and versatility, etc. Apart from Indo-Western jewellery, Kanhai Jewels offers an extensive collection of Gold, Kundan, Antique, AD/CZ, Western jewellery and more.
Browse our exhaustive collection of designer necklaces online from the comfort of your couch. Take a pick from the numerous options available to you and we will deliver the same to your doorstep in no time.
Kanhai Jewels is the only online platform where you can get versatile Indo-Western necklaces at wholesale prices. Stun your family and friends with our captivating fancy necklaces.
If you are considering launching a jewellery resale business, our Indo-Western necklace collection is a must-have.
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Wholesale Textile
Wholesale textile Are India's Top Most Wholesaler & manufacturing of Kurtis,sarees,salwar kameez, Lehenga choli , Western Wear , kids wear and Men's Wear Clothing Surat Base 11 + Year & 50k+ Happy Customer , World Wide Shipping
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Contact Email: [email protected]
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Phone Number: +91 9638106876 +91 9227306876
Website: https://www.wholesaletextile.in/
Address: 313 Raghuveer Textile Mall,Bhagyoday Industrial Estate, Parvat Patiya, near DR WORLD, surat, Gujarat 395010
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Saraswati Saree Depot IPO Date, Price, Company profile, risk & financial details
New Post has been published on https://wealthview.co.in/saraswati-saree-depot-ipo/
Saraswati Saree Depot IPO Date, Price, Company profile, risk & financial details
Saraswati Saree Depot IPO: Saraswati Saree Depot Limited (SSDL) is a leading Indian wholesaler of women’s ethnic wear, predominantly sarees, kurtis, lehengas, and dress materials. With a legacy spanning three generations and a network across the country, it caters to both small entrepreneurs and established retailers. Currently headquartered in Kolhapur, Maharashtra, it boasts a second store in Ulhasnagar.
Saraswati Saree Depot IPO Highlights:
Issue Dates: The company filed its Draft Red Herring Prospectus (DRHP) with the Securities and Exchange Board of India (SEBI) on October 3rd, 2023. The exact open and close dates for the IPO, along with the listing date, are yet to be confirmed by SEBI.
Offer Size: The company aims to raise Rs. 41 crores through the IPO, of which Rs. 33 crores will be fresh issue and Rs. 8 crores through an offer for sale (OFS).
Price Band: The price band for the issue is also yet to be finalized.
Latest News Updates:
The proposed IPO has not yet garnered significant media attention, but the company’s strong presence in the ethnic wear market and expansion plans might pique investor interest.
The Indian garment industry, including ethnic wear, is projected to grow steadily in the coming years, potentially influencing investor sentiment positively.
Saraswati Saree Depot Limited Offer Details:
Types of Securities:
The Saraswati Saree Depot IPO will offer only equity shares of Rs. 10 face value. There will be no bonds or other types of securities offered.
Reservation Percentages:
Retail Individual Investors (RII): 35% of the offer will be reserved for retail investors. This category includes all individual investors bidding for less than Rs. 2 lakhs worth of shares.
Qualified Institutional Buyers (QIB): 50% of the offer will be reserved for QIBs, which include mutual funds, insurance companies, and foreign institutional investors.
Non-Institutional Investors (NII): The remaining 15% of the offer will be available for non-institutional investors, including corporate bodies, trusts, and high net-worth individuals.
Minimum Lot Size and Investment Amount:
The minimum lot size for the SSDL IPO is yet to be finalized. It will be determined by dividing the final issue size by the number of equity shares offered. However, based on the proposed offer size of Rs. 41 crores, the minimum lot size is likely to be around 100 shares, requiring an investment of approximately Rs. 1000 (assuming a share price of Rs. 10).
Saraswati Saree Depot Limited Company Profile:
History and Operations:
Saraswati Saree Depot Limited (SSDL) has a rich history in the Indian ethnic wear market, starting its journey in 1989 in Kolhapur, Maharashtra. With over three generations of experience, it has evolved into a leading wholesaler of a diverse range of women’s ethnic wear, primarily sarees, kurtis, lehengas, and dress materials.
SSDL boasts a strong network across India, catering to both small entrepreneurs and established retailers. Their efficient distribution system allows them to deliver a vast collection of styles and designs at competitive prices, catering to various regional preferences.
Market Share and Position:
While the exact market share of SSDL is unavailable publicly, it is positioned as a prominent player in the wholesale segment of the Indian ethnic wear market, particularly in western India. Its focus on offering diverse styles, competitive pricing, and reliable service gives it a strong edge in its niche.
Brands and Partnerships:
SSDL does not operate under any specific brand name themselves. Instead, they focus on partnering with and sourcing from a wide range of established and emerging brands in the women’s ethnic wear space. This allows them to cater to a broader customer base with diverse preferences.
Milestones and Achievements:
Founded in 1989, successfully operating for over 30 years.
Established a strong network across India, with two prominent stores in Kolhapur and Ulhasnagar.
Built a reputation for offering a vast collection of styles, competitive prices, and reliable service.
Gained significant market share in the wholesale segment of the western Indian ethnic wear market.
Filed for an IPO in October 2023, aiming to raise Rs. 41 crores for expansion and growth plans.
Competitive Advantages and USP:
Extensive and diverse product portfolio: SSDL offers a wide variety of sarees, kurtis, lehengas, and dress materials catering to different regional preferences and price points.
Strong sourcing network: Partnerships with established and emerging brands ensure a consistent supply of high-quality products.
Competitive pricing: Efficient operations and bulk buying power allow SSDL to offer competitive prices to their customers.
Reliable distribution system: Robust logistics and warehousing infrastructure ensure timely deliveries across India.
Focus on customer service: SSDL prides itself on its personalized service and relationship building with retailers.
Saraswati Saree Depot Limited: Key Financial Indicators (Year Ending March 31)
Particulars 2023 2022 Total Income (INR Lakhs) 6,035.18 5,503.08 Profit (Loss) for the Year (INR Lakhs) 229.74 123.08 Return on Capital Employed (%) 98 169 Current Ratio 1.19 1.06 Interest Coverage Ratio 9.09 4.6
Saraswati Saree Depot Limited: Lead Managers and Registrar
Lead Managers:
The lead manager for the Saraswati Saree Depot IPO is Unistone Capital Private Limited. While a smaller player compared to large investment banks, they have demonstrated success in managing IPOs for mid-cap companies, particularly within the retail and consumer goods sector. Here’s a brief look at their recent track record:
Dwarkadas Shamkumar Textiles Private Limited (September 2023): Successfully managed the IPO of this textile manufacturer, exceeding subscription levels and achieving a positive listing gain.
Shankara Building Products Limited (July 2023): Led the IPO of this building materials company, securing strong investor interest and a successful listing.
Mangalam Drugs and Pharmaceuticals Limited (April 2023): Guided the IPO of this pharmaceutical company, resulting in a favorable market response and positive listing gains.
Registrar:
The registrar for the Saraswati Saree IPO is Bigshare Services Private Limited (Bigshare). They are a renowned registrar and share transfer agent in India, handling a significant portion of IPOs and share issuance processes. Their role includes:
Maintaining shareholder records and accounts.
Issuing share certificates.
Processing share transfers and transmissions.
Facilitating dividend payments and other investor communications.
Complying with SEBI regulations and corporate governance norms.
Potential Risks and Concerns for Saraswati Saree Depot IPO
While Saraswati Saree Depot Limited (SSDL) offers potential growth opportunities, investors should carefully consider the associated risks before making an investment decision. Here are some key factors to consider:
Industry Headwinds: The Indian ethnic wear market is competitive and faces potential headwinds such as changes in consumer preferences, economic slowdowns, and rising raw material costs. These factors could impact SSDL’s sales and profitability.
Company-Specific Concerns:
Limited Track Record as a Public Company: As a privately held company, SSDL’s financials haven’t been publicly scrutinized before. Investors have limited historical data to assess the company’s financial health and growth potential.
Concentration in Women’s Ethnic Wear: SSDL focuses solely on women’s ethnic wear, a niche market. This makes them vulnerable to changes in trends and preferences within this specific segment.
Limited Geographic Reach: Currently, SSDL operates primarily in western India. Expansion plans into new regions might involve challenges and risks associated with different markets and consumer preferences.
Dependence on Key Suppliers: SSDL relies on a network of suppliers for its diverse product range. If any of these suppliers experience disruptions or increase prices, it could impact SSDL’s operations and margins.
Financial Health Analysis:
While full financial disclosure is unavailable until after the IPO listing, the limited pre-IPO information does raise some potential red flags:
High Return on Capital Employed (ROCE): While seemingly positive, a ROCE of 98% compared to 169% in the previous year might indicate aggressive accounting practices or unsustainable profit margins.
Profit Growth vs. Revenue Growth: The significant increase in profit (86.7%) compared to revenue growth (9.6%) warrants further investigation into the reasons behind this disparity.
Also Read: How to Apply for an IPO?
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Importance Of Stylish Kurtis! – Kulvadhu Fashion Designer
In the realm of fashion, the Indian kurta stands as a timeless garment that effortlessly blends tradition with contemporary style. From casual elegance to sophisticated chic, the Women Kurti Retailers In Thane West provide kurtis that have evolved to become a versatile wardrobe staple for every fashion-forward woman. Today, in this blog, we are going to shed some light on the importance of stylish kurtis.
Importance Of Stylish Kurtis
Fusion of Tradition and Modernity: Kurtis beautifully fuses traditional Indian craftsmanship with modern silhouettes and designs. The blend of intricate embroidery, prints, and contemporary cuts creates a fashion statement that resonates with women of all ages.
Versatility in Designs: The beauty of Kurtis lies in their versatility. From classic Anarkali styles and straight-cut kurtas to asymmetrical hemlines and indo-western fusion, there's a design to suit every occasion and personal style.
Play with Prints and Patterns: Kurtis offers a canvas for a myriad of prints and patterns. Whether it's vibrant floral prints, geometric motifs, ethnic block prints, or subtle embellishments, these designs add flair and personality to the garment.
Comfortable and Functional: Crafted from breathable fabrics like cotton, silk, or chiffon, they offer ease of movement while being suitable for various climates and occasions.
Styling Options Galore: Pair them with leggings, palazzos, skirts, or even jeans for a contemporary twist. Accessorize with statement jewelry, scarves, or belts to enhance the look.
Occasion-Ready Attire: Kurtis effortlessly transitions from casual daywear to elegant evening attire. Short kurtis or A-line designs are perfect for casual outings, while embellished or embroidered kurtis add glamor to festive occasions.
The Wholesale Stylish Kurtis In Thane, are available at reasonable prices. The success rate of the kurta is very high, because we never compromise with the standards of the services, and assure that the individual is getting the best dresses under their budget.
Credit:- https://kulvadhufashiondesigner01.blogspot.com/2023/12/importance-of-stylish-kurtis-kulvadhu-fashion-designer.html
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